The song competition Eurovision, besides producing heaps of dough, is not universally adored. For the last ten years, Eurovision has manifested sheer ugliness. A bearded lady, a pregnant man and a variety of obese freaks were introduced at the contest. It was promoted and it was successful: this is how freaks reproduce, by achieving intimate contact in the privacy of your home. So how did the producers turn such an ugly piece of trash into gold?
Well, their success didn’t happen overnight. It took many years of salting the European media, cinema and press before the Jewish creeper could take root. Since Freddy Quinn introduced boogie-woogie (“So Geht Das Jede Nacht”) into first Eurovision Song Contest in 1956, the European self-perception has become progressively less American and more Israeli. Though Israel is not situated in Europe, it does play football in Europe, and it has been participating in the Eurovision Song Contest since 1973 (“the first non-European country granted permission to participate in the event”). That was an important year in Israel’s history, the year of the Yom Kippur War. Perhaps Eurovision has matured into something that is less like European entertainment and more like globalist propaganda. Somehow Jewish art is most suitable for globalism.
Over the decades, Europe’s last colony has become so well established as part of Europe that it seems nothing can dislodge its preferential status: not even the horrible Gaza genocide perpetrated by the IDF. While Russia was banned from Eurovision after conducting a war against Jewish-American aggression in the Ukraine, the colony of Israel (geographically Middle-Eastern) has maintained its pre-eminent European standing, despite killing of thousands of defenceless Middle-Eastern children and women.
The slaughter in Gaza has provoked a predictable propaganda campaign from the global media, and the 2024 Eurovision Song Contest was its cutting edge. The producers decided to prove that Israel is still universally loved and approved by all of Europe. It was no doubt a difficult task, as Europeans were shocked and horrified by the Gaza massacre, which has been carried out by the IDF with the full support of the Biden administration. But isn’t this the perennial burden of the propagandist? The more difficult the task, the sweeter the triumph. The sensibilities of ordinary goys are like clay to be moulded by the skilled practitioners of the ancient art of propaganda.
To this end, all Western European states were provided a back door to make sure the choice represented the will of the global community: every SIM-card could be voted 20 times, and yet another 20 times by the Eurovision app. Furthermore, Israel had prepared “voting communities” that empowered volunteers to activate more SIM-cards as needed to make sure the election results were democratic (not unlike how Joe Biden was elected). It is not difficult to gather Israeli votes in countries that are openly cooperating with Israel. This is why Israel garnered a tidal wave of votes from Western states, but very little from Eastern Europe: probably it was not deemed necessary. The only West European state that gave Israel less than its maximum was Norway, five out of 12. The jury was not overwhelmed by Israeli singer, but the miracle of 20 votes per SIM-card was unbeatable.
In this picture, you can see who gave what to Israel:
Western Europe, long dominated by America, now dominated by Israel, clearly cut off from whatever ethnic and religious roots that used to bind them, overwhelmingly soiled themselves in their haste to please their Jewish masters.
Yet even covered by the blanket of democracy, Israel shamelessly wielded its primary trump card to silence any professional critic: money. The sponsor of the 2024 Eurovision contest is the Israeli cosmetics company “MoroccanOil”. This company has nothing to do with Morocco. The corporation does make use of oil that is made from Moroccan Argan trees, but the particular Argan trees they use are not in Morocco. Israeli settlers planted orchards of Moroccan Argan trees in the occupied territory of the Jordan Valley. MoroccanOil hides the fact that it is an Israeli company, so their involvement in the ethnic cleansing of Palestine would not be revealed.
As of today, Wikipedia does acknowledge that MoroccanOil is an Israeli company:
But don’t blink! It won’t be there for long: already the Jewish minders of this Wikipedia page have decreed that this particular fact must be memory-holed:
It is proposed that this article be deleted because of the following concern:
This article aggressively leads with it being an Israeli company based in Tel Aviv, when the sources don’t explicitly mention Tel Aviv. A basic web crawling search doesn’t reveal that the company is Israeli, and all the sources cited were created within the past few weeks, despite Moroccanoil having sponsored Eurovision got over four years. It comes across as very sketchy and politically driven to me, given the nature of Eurovision this year. Frankly, I don’t think there are enough sources for this article and I don’t think the sources that do exist are provide enough information to directly trace the company to Israel, since the company itself isn’t making this claim. (proposed by Or-Shalem)
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Find sources: “Moroccanoil” – news · newspapers · books · scholar · JSTOR
And within a week it will disappear.
The second trump card they employ is their oldest standard: antisemitism. Plenty of Facebook posts discussing the recent Eurovision contest dealt with the reaction of the public to the Israeli singer. People buzzed her loudly. It was clear that many people were annoyed that a country currently engaged in genocide still appeared in the contest. Russia, on the other hand, was expelled from the contest, though Israel killed more children and women in half a year than even the wildest claims out of the Ukraine, even if you add in all the rest of the world’s current conflicts. What is happening in Gaza is orders of magnitude more horrific than any conflict in living memory.
The European people demanded that the Eurovision producers ban Israel, but MoroccanOil and the media was adamant: Israel will participate. And, by the way, whoever objects is an antisemite. This is similar to limits on the International Criminal Court (ICC): it may sentence the schvartze of Africa, and the goyim of Russia, but Israelis (and Jews in general) are untouchable.
Since 1956, the Eurovision Song Contest became increasingly infiltrated by media-savvy Jews on all levels. Since 1973 “Arab-Israeli War”, Eurovision has become a propaganda arm of Israel. During the 1973 Eurovision contest, Terry Wogan recalled that “the floor manager strongly advised the audience to remain seated while applauding the performances, otherwise they risked being shot by security forces.” Israel’s unnatural status as a European parasitic statelet has always put Europeans at risk, and it continues to do so.
Representing Luxembourg was Tali Golergant, the ex-Israeli girl who sang the song “The Fighter” which she dedicated to her brother who is currently a fighter in the IDF. Thus do the ugly perversions of art (and Europe itself) come back full circle, at full speed, to disgrace the well-meaning people of Europe.
What is left but an ugly freak show?
Americans call it Clownworld, and there is an increasing cognizance that the sickness is spreading from Israel through the actions of Jewish dual citizens in Washington DC. Europeans are being forced to relearn similar lessons, something lost to them in the dim dark past. Once upon a time there were Golden Ages, times of unity, and there were also sowers of discord and conflict. European history contains all the knowledge required to navigate these desperate days. We all need to meditate (if not pray) on what Europe will look like in 100 years.
Our politicians ignore our complaints, perhaps because their primary allegiance is no longer to their citizens. The sham of the Eurovision vote is reflected in the sham of Western democracy. When a nation loses its founding principles, what replaces it besides money? And what will happen to Europe when the US sucks out all living force from it?
Maybe its Jewish subsidiary will fall off the body of Europe, and it will again start to sing its own songs?